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Gwen Pauloski's avatar

I would like to share this essay with my 9th grade English students as part of our upcoming Civil Rights unit with your permission. Risky in Texas, but it’s my last year teaching for the state. I’m happy to take the risk.

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Leslie M.'s avatar

All that you have written is so resonant, Dan Rather, especially today! So I leave our little(?) community two offerings to follow through with this charge you have made:

(1) heed the contemporary words of Rev. Dr. William Barber and the national (state-by-state) work of the Poor People’s Campaign — we can breathe life into Dr. King’s exhortations;

(2) read the words of MLK’s speech written at the behest of the 1964 Berlin “Jazztage” organizers. King is perhaps remembered for traveling to Berlin (actually two weeks before the festival, which he did not attend in person) and his electric crossing to East Berlin, still adapting to a three-year-old wall, to speak before a spontaneous crowd of 20,000. He knew of walls, King said. But it was his expression of hope shared at the festival two weeks later — the nuance and breadth of emotion — that jazz stirs which spoke then and now to the complicated travails of oppression:

“God has wrought many things out of oppression. He has endowed his creatures with the capacity to create and from this capacity has flowed the sweet songs of sorrow and joy that have allowed man to cope with his environment and many different situations.

Jazz speaks for life. The Blues tell the story of life’s difficulties, and if you think for moment, you will realize that they take the hardest realities of life and put them into music, only to come out with some new hope or sense of triumph.

This is triumphant music.

Modern Jazz has continued in this tradition, singing the songs of a more complicated urban existence. When life itself offers no order and meaning, the musician creates an order and meaning from the sounds of the earth which flow through his instrument.

It is no wonder that so much of the search for identity among American Negroes was championed by Jazz musicians. Long before the modern essayists and scholars wrote of racial identity as a problem for a multiracial world, musicians were returning to their roots to affirm that which was stirring within their souls.

Much of the power of our Freedom Movement in the United States has come from this music. It has strengthened us with its sweet rhythms when courage began to fail. It has calmed us with its rich harmonies when spirits were down.

And now, Jazz is exported to the world. For in the particular struggle of the Negro in America there is something akin to the universal struggle of modern man. Everybody has the Blues. Everybody longs for meaning. Everybody needs to love and be loved. Everybody needs to clap hands and be happy. Everybody longs for faith.

In music, especially this broad category called Jazz, there is a stepping stone towards all of these.”

(8:39am — Edited to add back the last three paragraphs which somehow dropped off)

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